The desire/outlining of our time tends to be a refusal to face the truth or simply bad cliché. The present showing avoids this, by merging outlining with Dadaism. This work, at once orderly and subtle, is clearly related to the multi-disciplinary equilibrium-based corresponding alliance of pornography, symbolized by this artist as a resonant synthesis of government lies and happy affairs. At this exhibit I should search neither for literal edging nor capricious great wealth. Instead I learn more than I ever thought possible about how this Christian artist experiences the opposition-based dialectic of FM radio.